The Outsiders
A subway takeover for the Tony Award–winning musical — pillar wraps, turnstile wraps and wall banners that turn a Rockefeller Center station into a walk-through. Designed at Serino Coyne, under the show's art direction.
- Client
- The Outsiders — Broadway
- Agency
- Serino Coyne, New York
- My role
- Senior Designer — adapting the show's key art into takeover layouts and carrying them through production, under the show's art director
- Scope
- Pillar wraps · turnstile wraps · platform wall banners · stairwell soffit
- Location
- Rockefeller Center station — B D F M, 6th Avenue
- Ran
- January 2026
- Disciplines
- Out-of-Home · Environmental · Production
Overview
A subway station is the most captive audience in the city: people moving at walking pace, with a minute to spare and nothing else to look at. For The Outsiders, the station became the poster. You meet the show at the turnstile, then walk a platform lined with the cast.
The system is built on one idea per surface. Every pillar is a single character with a one-line dedication — for the dreamers, for the rebels, for the unsung heroes — and the long tiled walls carry the whole company and the reviews. Key art and show photography belong to the production; the layouts adapt that art to each architectural surface.
One pillar,
one character.
Wrapped around the station's red steel columns, each pillar gives a character their own moment as you pass — and the wall banners between them carry the company at full width.
The cast,
pillar by pillar.
The flat production art for the platform pillars — one character each, a dedication up top, the lockup and tagline at the base.
The show meets
you at the turnstile.
Before the platform, the gate: wraps fitted to the turnstile housings put a different character at every pass — right at the height you're looking when you tap in.
Wide enough
for the whole company.
Three wall banners and a stairwell soffit carried the headline art, the reviews and the theatre — the production's key art at the scale of a platform.
When the audience is on its way somewhere else, the job is to stop them with a face and a line — and a station full of them.