01 / Selected WorkBroadwayOut-of-Home · Subway Takeover

The Outsiders

A subway takeover for the Tony Award–winning musical — pillar wraps, turnstile wraps and wall banners that turn a Rockefeller Center station into a walk-through. Designed at Serino Coyne, under the show's art direction.

A pillar wrap for The Outsiders on a Rockefeller Center subway platform — For the Rebels, Dallas.
FIG. 01 — On site, Rockefeller Center station
Client
The Outsiders — Broadway
Agency
Serino Coyne, New York
My role
Senior Designer — adapting the show's key art into takeover layouts and carrying them through production, under the show's art director
Scope
Pillar wraps · turnstile wraps · platform wall banners · stairwell soffit
Location
Rockefeller Center station — B D F M, 6th Avenue
Ran
January 2026
Disciplines
Out-of-Home · Environmental · Production

Overview

A subway station is the most captive audience in the city: people moving at walking pace, with a minute to spare and nothing else to look at. For The Outsiders, the station became the poster. You meet the show at the turnstile, then walk a platform lined with the cast.

The system is built on one idea per surface. Every pillar is a single character with a one-line dedication — for the dreamers, for the rebels, for the unsung heroes — and the long tiled walls carry the whole company and the reviews. Key art and show photography belong to the production; the layouts adapt that art to each architectural surface.

On the platform

One pillar,
one character.

Wrapped around the station's red steel columns, each pillar gives a character their own moment as you pass — and the wall banners between them carry the company at full width.

The wraps

The cast,
pillar by pillar.

The flat production art for the platform pillars — one character each, a dedication up top, the lockup and tagline at the base.

At the gate

The show meets
you at the turnstile.

Before the platform, the gate: wraps fitted to the turnstile housings put a different character at every pass — right at the height you're looking when you tap in.

The walls

Wide enough
for the whole company.

Three wall banners and a stairwell soffit carried the headline art, the reviews and the theatre — the production's key art at the scale of a platform.

When the audience is on its way somewhere else, the job is to stop them with a face and a line — and a station full of them.